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The script for Trainwreck is filled with one-liners and characters trying to put one another down.
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In the best comedies, the actors are being funny, but the characters are almost never aware of the fact that they are being funny.
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This may seem like an odd criticism – it’s a comedy, of course people are trying to be funny! What I mean, though, is that too many characters are trying to be funny. It doesn’t help that comedies these days keep nudging to the two hour mark – due to the now obligatory and often misguided “sad moment of reflection” – and two hours is a long time to spend with people you don’t like. If everybody is doing it, then it no longer has an edge. It’s like using performance enhancing drugs in cycling. A good comedy generally needs to have some heart and for at least some characters to be likeable, if not most characters to be likeable. Even random strangers are trying to sling zingers to innocent questions on the subway. However it’s not just at work that characters are terrible in this film. Worse still, the point of Trainwreck isn’t to satirise magazine culture, so why show these people to us at all? It doesn’t succeed in fleshing out the main character’s life, and simply comes across as a bunch of empty, pointless jokes. If you have five characters in a film and they all say the same thing, it’s time to drop at least four of them. Every co-worker (aside from the one mandatory ditzy one who talks like a 12-year-old) is indistinguishable from the next. Amy’s boss is so pointlessly mean that there’s no believability whatsoever that anybody would work for her. The magazine that Amy works for is filled with shallow, self-centered dicks (and dickettes) who exist solely to squeeze in some jokes that don’t relate to the story. Everybody at the magazine.)įor no real reason, almost everybody in Trainwreck is an asshole. Unlikeable and/or unnecessary characters (Amy’s Boss. So, bearing in mind the principle rule of “comedy comes in threes”, I present the three biggest problems with Trainwreck, and modern comedy as a whole.ġ. When I started thinking about the troubles with this movie, I started to realise that they were the same troubles I have with most comedies that have come out in recent years. That is literally the level of investment and care that this movie was able to bring out in me. Some of what those characters said to the other characters was funny, some of it wasn’t, and then they went someplace else and said more things to each other. For such a hotly talked up script, I really expected something with a lot, so was I very disappointed to sit through 120 minutes of every character talking exactly like every other character. Don’t worry, I shouted a bag of Maltesers and held hands with my wife when she wasn’t busy wiping tears of laughter from her eyes.Īs for me? Well, I didn’t hate the movie, but I hated an awful lot about the movie. Oh, and having a romantic time, of course.
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I went along on a date-night to see Trainwreck with the full intention of simply reviewing it for this site.